A Companion to German Cinema offers a wide-ranging collection of essays demonstrating state-of-play scholarship on German cinema at a time during which cinema studies as well as German cinema have once again begun to flourish.

Taal / Language : English

Inhoudsopgave:
Acknowledgments
Abbreviations
Introduction
First Movement: Destabilization
1. Have Dialectic, Will Travel: The GDR Indianerfilme as Critique and Radical Imaginary –
Dennis Broe
2. Coming Out into Socialism: Heiner Carow’s Third Way – David Dennis
3. Germany Identity, Myth and Documentary Film – Julia Knight
4. Post-Reunification Cinema: Horror, Nostalgia, Redemption – Anthony Enns
5. “Capitalism Has No More Natural Enemies”: The Berlin School – David Clarke
6. Projecting Heimat: On the Regional and the Urban in Recent Cinema – Jennifer Hosek
7. No Happily Ever After: Disembodying Gender, Destabilizing Nation in Angelina Maccarone’s Unveiled – Gayatri Devi
Second Movement: Dislocation
8. Views Across the Rhine: Border Poetics in Straub-Huillet’s Machorka-Muff (1962) and Lothringen! (1994) – Claudia Pummer
9. Contested Spaces: Kamal Aljafari’s Transnational Palestinian Films – Peter Limbrick
10. Fatih Akn’s Homecomings – Savaš Arslan
11. Lessons in Liberation: Fassbinder’s Whity at the Crossroads of Hollywood Melodrama and Blaxploitation – Priscilla Layne
12. Sexploitation Film from West Germany – Harald Steinwender and Alexander Zahlten
13. A Documentarist at the Limits of Queer: The Films of Jochen Hick – Robert Gillett
14. Models of Masculinity in Postwar Germany: The Sissi Films and the West German Wiederbewaffnungsdebatte – Nadja Krämer
15. Crossdressing, Remakes, and National Stereotypes: The Germany–Hollywood Connection – Silke Arnold-de Simine
Third Movement: Disidentification
16. The Aesthetics of Ethnic Cleansing: An Historiographic and Filmic Analysis of Andres Veiel’s Balagan – Domenica Vilhotti
17. Margarethe von Trotta’s Rosenstrasse: “Feminist Re-Visions” of a Historical Controversy – Sally Winkle
 18. The Baader Oedipus Complex – Vojin Saša Vukadinovi
19. Dislocations: Videograms of a Revolution and the Search for Images – Frances Guerin
20. Germany Welcomes Back Its Jews:  Alles auf Zucker! and the Women in German Debate (aka Wiggie-leaks: A Polemical Analysis) – Terri Ginsberg
21. Screening the German Social Divide: Aelrun Goette’s Die Kinder sind tot – David James Prickett
22. A Negative Utopia: Michael Haneke’s Fragmentary Cinema – Tara Forrest

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Die rote Traumfabrik

Meschrabpom-Film und Prometheus (1921-1936)

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Im Jahr 1921 begann eine einzigartige Filmkooperation zwischen der Internationalen Arbeiterhilfe (IAH, russ. übersetzt: Meschrabpom), die Willi Münzenberg von Berlin

Taal / Language : German

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Kunstuitingen: Tekenen, schilderen, muziek, architectuur..

Toneel en theaterdans

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101 Actionfilme

Die Sie sehen sollten, bevor das Leben vorbei ist Ausgewählt und vorgestellt von 16 internationalen Filmkritikern.

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