Despite innovative developments in research in-and-through the arts in the past decade, the emergent field of artistic research remains controversial, and is accepted with varying degrees of enthusiasm in academic institutions. It is our contention that the challenges and opportunities presented by this burgeoning discipline may be better understood by re-emphasising the centrality of the artist. Through a study of the interrelationship between artistic fields and theories of knowledge, and through some consciously metaphorical readings, we examine the contexts within which artistic research has developed. Using this information as a means of interrogating both scientific and artistic research paradigms, and case studies concerning specific artist-researchers, the case is set out for a fresh paradigm – an ‘artistic turn’. The aim is to create a field of meaning that may illuminate the most promising, though correspondingly problematic, aspects of artistic research: the essential ineffability of artistic creativity, and the consequent insufficiency of verbal and written accounts – something which inevitably impacts upon the text presented here. Accordingly, the discourse articulated in this volume does not propose definitive approaches, but charts a constellation of ideas that outlines the new discipline and points to its manifold and open-ended possibilities.

Taal / Language : English

Extra informatie: Ingenaaid: paperback,kaft slap, 191 pagina's Met illustraties Verschenen: maart 2011 Gewicht: 501 gram Formaat: 241 x 173 x 18 mm Universitaire Pers Leuven

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MetaCage: essays on and around Freeman Etudes, Fontana Mix, Aria + CD

Prijs Euro 22.00

metaCage investigates the musical practice of John Cage in four essays written by current ORCiM Fellows. Three works (Fontana Mix, Aria and Freeman Etudes) serve as threads that link the contributions, and a CD containing performances of these works, by the ORCiM Fellows, is included with the volume. The essays embrace both compositional practice, as viewed by musicologically-oriented performers Juan Parra Cancino and Mieko Kanno, and Cage`s aesthetic framework, explored by practice-based musicologists Magnus Andersson and William Brooks.

Taal / Language : English

Extra informatie: Ingenaaid: paperback,kaft slap, 98 pagina's Met illustraties Verschenen: maart 2011 Gewicht: 303 gram Formaat: 241 x 172 x 10 mm Universitaire Pers Leuven

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Kunstuitingen: Tekenen, schilderen, muziek, architectuur..

Muziekwetenschap

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Dynamics of Constraints: Essays on Notation, Editing and Performance

Prijs Euro 15.00

The three essays of Dynamics of Constraints express some fundamental issues addressed by ORCiM’s research group ‘the musician’s relation to notation’. Paulo de Assis argues that critical editions should generate critical users, advocating for a new kind of editor and performer; Mieko Kanno’s contribution reflects the rapid expansion of the use of electronics in contemporary music, stating that every new work creates an original compositional environment, where the performer’s movement-sound co-ordination is given a new significance, while Juan Parra Cancino points towards a kind of composition, where both the performing and the listening experience don’t aim to achieve a `final` version of the piece – an entity that might ever manifest.

Taal / Language : English

Extra informatie: Ingenaaid: paperback,kaft slap, 44 pagina's Met illustraties Verschenen: maart 2011 Gewicht: 155 gram Formaat: 240 x 173 x 5 mm Universitaire Pers Leuven

Assis, Paulo de / Kanno, Mieko / Cancino, Juan , Dynamics of Constraints Prijs Euro 15.00   In Winkelwagentje

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