| Preface | | ix | |
| | | |
| | | |
| Introducing the Heteronyms | | 3 | (4) |
| Alberto Caeiro | | 7 | (28) |
| Introducing Alberto Caeiro | | 7 | (2) |
| from THE KEEPER OF SHEEP The Keeper of Sheep |
| | 9 | (19) |
| | 9 | (2) |
| II. "My glance is clear like a sunflower" |
| | 11 | (1) |
| VI. "To think of God is to disobey God" |
| | 12 | (1) |
| VIII. "Once at mid-day in late spring" |
| | 12 | (5) |
| IX. "I`m a keeper of sheep" |
| | 17 | (1) |
| XIV. "Rhymes mean nothing to me. Only rarely" |
| | 18 | (1) |
| XV. "The four songs that follow now" |
| | 18 | (1) |
| XVI. "I`d give anything if only my life were an oxcart" |
| | 19 | (1) |
| XXI. "If I could take a bite of the whole earth" |
| | 19 | (1) |
| XXVII. "Only Nature is divine, and she`s not divine" |
| | 20 | (1) |
| XXVIII. "Today I read nearly two pages" |
| | 20 | (1) |
| XXX. "If they want me to be a mystic, fine. I`m a mystic" |
| | 21 | (1) |
| XXXI. "If at times I say that flowers smile" |
| | 22 | (1) |
| XXXV. "The moonlight behind the tall branches" |
| | 22 | (1) |
| XXXVI. "And there are poets who are artists" |
| | 22 | (1) |
| XLIII. "Rather the flight of the bird passing and leaving no trace" |
| | 23 | (1) |
| XLIV. "At night I suddenly waken" |
| | 23 | (1) |
| XLVI. "One way or another" |
| | 24 | (1) |
| XLVII. "On a terribly clear day" |
| | 25 | (1) |
| XLVIII. "From the highest window of my house" |
| | 26 | (1) |
| XLIX. "I go indoors, and shut the window" |
| | 27 | (1) |
| | 28 | (7) |
| "The startling reality of things" |
| | 28 | (2) |
| "If, after I die, they want to write my biography" |
| | 30 | (1) |
| "Live, you say, in the present" |
| | 31 | (1) |
| "The snow threw a silent towel over everything" |
| | 32 | (3) |
| Alvaro de Campos | | 35 | (90) |
| Introducing Alvaro de Campos | | 35 | (2) |
| | 37 | (6) |
| | 43 | (4) |
| | 47 | (34) |
| Salutation to Walt Whitman |
| | 81 | (9) |
| | 90 | (2) |
| "If you want to kill yourself, how come you don`t want to kill yourself" |
| | 92 | (3) |
| | 95 | (3) |
| | 98 | (7) |
| Written in a Book Abandoned on the Trip |
| | 105 | (1) |
| | 106 | (3) |
| "At the wheel of the Chevrolet on the road to Sintra" |
| | 109 | (3) |
| | 112 | (1) |
| | 113 | (1) |
| | 114 | (1) |
| "The sleep that comes over me" |
| | 115 | (1) |
| "I`m beginning to know myself. I don`t exist" |
| | 116 | (1) |
| "He came by, wanting to speak with me on a downtown street" |
| | 117 | (3) |
| | 120 | (5) |
| Ricardo Reis | | 125 | (24) |
| Introducing Ricardo Reis | | 125 | (2) |
| | 127 | (22) |
| "I the roses love in the gardens of Adonis" |
| | 127 | (1) |
| "The gods grant us this one" |
| | 128 | (1) |
| "I heard it told that once when Persia" |
| | 129 | (4) |
| "One after another, hard-pressed waves" |
| | 133 | (1) |
| "I don`t want the sincere gifts" |
| | 134 | (1) |
| "Now ashen gray tinges the balding brow" |
| | 135 | (1) |
| "Whatever stops is death, and is our death" |
| | 136 | (1) |
| "Recalling who I was, I see somebody else" |
| | 137 | (1) |
| "Lydia, when our Autumn comes" |
| | 138 | (1) |
| "Not just those who hate and those who envy us" |
| | 139 | (1) |
| "No one, in the vast and virgin jungle" |
| | 140 | (1) |
| "Lydia, we know nothing. We are strangers" |
| | 141 | (1) |
| "Nothing comes of nothing. We are nothing" |
| | 142 | (1) |
| | 143 | (1) |
| "I ask the gods only to forget me" |
| | 144 | (1) |
| "I only ask the gods to grant me" |
| | 145 | (1) |
| "My gesture that destroys" |
| | 146 | (3) |
| Fernando Pessoa | | 149 | (60) |
| Introducing Fernando Pessoa | | 149 | (2) |
| | 151 | (28) |
| | 151 | (1) |
| | 152 | (2) |
| | 154 | (3) |
| | 157 | (1) |
| "Some mysterious phantom`s sudden hand" |
| | 158 | (1) |
| | 159 | (1) |
| | 160 | (1) |
| | 161 | (1) |
| We Took the Town After a Heavy Bombing |
| | 162 | (1) |
| "Lightly, listlessly, my thoughts" |
| | 163 | (1) |
| "Cat, you tumble down the street" |
| | 164 | (1) |
| | 165 | (1) |
| "Audible smile of the leaves" |
| | 166 | (1) |
| | 167 | (1) |
| | 168 | (1) |
| | 169 | (1) |
| "I sleep. If I dream, I do not know on waking" |
| | 170 | (1) |
| "To travel! Leave countries behind" |
| | 171 | (1) |
| "It`s raining. There is silence, since the rain itself" |
| | 172 | (1) |
| | 173 | (1) |
| | 174 | (1) |
| "There are sicknesses worse than sicknesses" |
| | 175 | (1) |
| | 176 | (1) |
| | 177 | (1) |
| | 178 | (1) |
| | 179 | (23) |
| | 179 | (8) |
| | 179 | (1) |
| | 179 | (1) |
| | 179 | (1) |
| | 180 | (1) |
| | 180 | (1) |
| | 180 | (1) |
| | 181 | (1) |
| | 181 | (1) |
| Fifth: King Afonso Henriques |
| | 182 | (1) |
| | 182 | (1) |
| Seventh (I): King John the First |
| | 182 | (1) |
| Seventh (II): Philippa of Lancaster |
| | 183 | (1) |
| | 183 | (1) |
| First: King Duarte of Portugal |
| | 183 | (1) |
| | 183 | (1) |
| Third: Peter, Regent of Portugal |
| | 184 | (1) |
| | 184 | (1) |
| | 185 | (1) |
| | 185 | (1) |
| | 185 | (1) |
| | 186 | (1) |
| The Head of the Griffin: Prince Henrique |
| | 186 | (1) |
| One Wing of the Griffin: King John the Second |
| | 186 | (1) |
| The Other Wing of the Griffin: Afonso of Albuquerque |
| | 186 | (1) |
| Second Part: Portuguese Sea |
| | 187 | (7) |
| | 187 | (1) |
| | 187 | (1) |
| | 188 | (1) |
| | 188 | (1) |
| V. Epitaph of Bartholomeu Dias |
| | 189 | (1) |
| | 189 | (1) |
| | 190 | (1) |
| | 190 | (1) |
| IX. Ascension of Vasco da Gama |
| | 191 | (1) |
| | 192 | (1) |
| | 192 | (1) |
| | 193 | (1) |
| Third Part: The Hidden One |
| | 194 | (8) |
| | 194 | (1) |
| | 194 | (1) |
| | 194 | (1) |
| | 195 | (1) |
| Fourth: The Blessed Isles |
| | 195 | (1) |
| | 196 | (1) |
| | 196 | (1) |
| | 196 | (1) |
| | 197 | (1) |
| | 197 | (1) |
| | 198 | (1) |
| | 198 | (1) |
| | 199 | (1) |
| | 199 | (1) |
| | 200 | (1) |
| | 200 | (2) |
| | 202 | (7) |
| Bernardo Soares | | 209 | (12) |
| Introducing Bernardo Soares | | 209 | (2) |
| | 211 | (10) |
| Appendix | | 221 | |
| | 221 | (8) |
| | 221 | (1) |
| | 222 | (7) |
| | 229 | |
| poems by "Alexander Search" |
| | 229 | (3) |
| | 229 | (1) |
| The Story of Salomon Waste |
| | 229 | (1) |
| | 230 | (2) |
| from The Mad Fiddler A Sensationist Poem |
| | 232 | (2) |
| |
| | 234 | (2) |
| | 234 | (1) |
| | 234 | (1) |
| | 234 | (1) |
| | 235 | (1) |
| | 235 | (1) |
| | 235 | (1) |
| | 235 | (1) |
| |
| | 236 | |
| | 236 | (1) |
| | 237 | (1) |
| | 237 | (1) |
| | 238 | (1) |
| | 238 | (1) |
| | 239 | (1) |
| | 239 | (1) |
| | 240 | (1) |
| | 240 | |